BRUTALIST LILIES
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Brutalist Lilies begins with one of nature’s most recognizable organic forms and asks what happens when it is reduced to architecture.
Rather than depicting lilies traditionally, I strip away their expected color, softness, and botanical detail and reconstruct them through bold black-and-white forms, geometry, line, mass, and negative space.
The curves and movement of the flowers remain, but they are translated into a visual language influenced by Brutalist architecture—strong shapes, repetition, simplicity, contrast, and structural weight.
That tension is central to the work. A flower is inherently temporary, delicate, and organic; architecture suggests permanence, structure, and human intervention. Bringing the two together allows the work to exist somewhere between nature and the built environment.
The piece is part of my larger exploration of how familiar objects can be reduced to their essential forms and then rebuilt through a different design language.
